Broadcast systems. Built by hands‑on engineers.

Plan the whole system first.

• A clear room and workstation layout
• Camera sightlines and lighting positions
• Space for cabling, maintenance and future expansion

Our 3D design shows the shooting space, camera positions, lighting layout, control room and editing workstations. It makes it easier to judge whether there is enough room for the shots you want, the people, the equipment and clear circulation routes.

We also plan cable routes, power and network connections, equipment cooling requirements and maintenance access. If space is limited, we look for a practical solution rather than trying to fit everything in at any cost.

A professional picture. A coordinated system.

• Cameras and lenses chosen for the job
• LED screens, control and content playback
• Consistent colour and practical system control

We select cameras and lenses around the room, the shots you need, the content format and the way your crew works. We design multicamera systems with vision mixing, recording, live streaming and crew communications to suit the project.

We also design, supply and install LED screen solutions for studio backgrounds. We match the screen to the cameras and lighting, considering pixel pitch, shooting distances and operating settings to reduce the risk of flicker, banding and moiré. We test the final combination in the intended shooting modes.

Good lighting starts with the design.

• Lighting designed around actual camera positions
• An evenly illuminated green background
• Mounting, control and maintenance arrangements

We plan lighting around people, camera positions and the set. We specify fixtures suited to filming, with appropriate mounting and control. The aim is natural skin tones and a result your team can repeat across different productions.

In a green-screen studio, we light the background and people separately. We allow for an evenly lit backdrop and enough separation to make background replacement easier and reduce green spill on the subjects. We assess the space this needs before you commit to a room or equipment.

Room for conversation. Sound worth listening to.

• Audio and video recording in one workflow
• Comfortable guest and operator positions
• Room acoustics and noise control

We create podcast and interview studios that work both for the people in the room and for the audience. We coordinate seating, cameras, microphones, headphone monitoring, lighting and recording. Control is matched to your team, from a simple recording position to a separate control room.

A good microphone cannot compensate for poor room acoustics. We assess reverberation, microphone placement, ventilation noise and sound from outside. Acoustic treatment and sound isolation solve different problems, so we consider them separately.

From recording to editing, without unnecessary copying.

• Editing workstations matched to your software
• Shared media storage and a properly sized network
• Backups and an agreed recovery plan

We also design dedicated editing workstations, shared media storage servers and the network connecting them. Computers, displays and storage are selected around your software, media formats, volume of material and the number of people working at the same time.

We size network and storage performance around the actual data load, not just the label ‘4K’. We plan access permissions, an appropriate collaboration workflow, backups and recovery. Protection against a disk failure is not a backup. Where the space allows, we keep noisy equipment separate from the people using it.